Lowrider Librarian

I love comics, hip-hop, history and beautiful books.  All these things helped form who I am today. As a librarian I still love comics, hip-hop, history, and beautiful books. I feel it is important to cover these aspects in a library collection. Rarely do all these categories come in one work, but this series has it all.  I was stoked to receive this collection as a gift, but didn't get around to reading it until now. Amazingly beautiful slipcase! The Hip-Hop Family Tree by Ed Piskor Vols. 1 & 2 exceeds the bar of comics, art, hip-hop, history and beautiful books standards. It will make an invaluable addition to your library collection.  This comic is published by the amazing Fantagraphics press . Buy it now --your community will appreciate it.  Vol. 1 traces the history of Hip-Hop from the 1970's to 1981.  It is filled with little vignettes about seminal figures and events in Hip-Hop history.  The stories it tells begin in the bronx with kids ro...

Buy this book for your Library An American Genocide: The United States and the California Indian Catastrophe, 1846-1873 (The Lamar Series in Western History)by Benjamin Madley is a book that should be in every library in the US.  This book covers an essential history that has heretofore been neglected save for a few works such as Murder State . Series:  The Lamar Series in Western History Hardcover:  712 pages Publisher:  Yale University Press (May 24, 2016) Language:  English ISBN-10:  0300181361 ISBN-13:  978-0300181364 Product Dimensions:  6.1 x 1.8 x 9.2 inches The book covers the history of the genocide of Indigenous peoples in the state of California from 1846-1873.  During this time, the book traces the beginnings of the genocide from scattered massacres to full scale state and federally sponsored militia and military massacre campaigns.  The sheer brutality and callousness against the indigenous people of Califor...

Colonialism and Whiteness This is the first post in a series of blog posts that seeks to understand the development of Whiteness in the Americas from colonialism to today.  These blog posts are short necessarily short and are not meant to be exhaustive, but to give the reader an idea of where Whiteness comes from and how it appears in our culture. The need for these posts came out of the backlash against Whiteness History Month at Portland Community College this April, 2016.  Casta Painting A Casta (Spanish:  [ˈkasta] , Portuguese:  [ˈkastɐ, ˈkaʃtɐ] ) was a hierarchical system of race classification created by Spanish elites (españoles) in Hispanic America during the Spanish colonial period . The sistema de castas or the sociedad de castas was used in 17th and 18th centuries in Spanish America and Spanish Philippines to describe as a whole and socially rank the mixed-race people who were born during the post-Conquest period . These...

Source: https://upload.wikimedia.org/wikipedia/commons/f/f4/Star_Trek_uniforms.jpg Kael Moffat Information Literacy Librarian, Saint Martin’s University As librarians, one of our many hats could be expressed as “identity formers.”  At first glance, this may seem like a grandiose claim, but if we look at aspects of our profession in light of Georg Simmel’s concept of the web of group-affiliations, we can see that we do play such an important role.  Simmel was a late nineteenth-century, early twentieth-century German sociologist and philosopher who wrote on such broad topics as the history of philosophy, philosophy of money, and social structure.  One of his influential shorter works, “The Web of Group-Affiliations,” published in 1922, can be used as lens through which we can look at how librarianship affects identity formation. Simmel points out that an individual’s identity is initially imposed on them through the “web of circumstances” of family and oth...

Information and knowledge are diffused via artistic expression in Hip-Hop culture among other methods. Here is a very brief sketch of some ideas on this topic. ANY and ALL comments will be answered and are valued.  Graffiti and Tags There is a lot of metadata here!   Tags and other graffiti carry metadata. for instance, when one sees a tagger's tag--and one is familiar with the the tagger, then one will know about them--how brave they are--by where they throw up their tags--the more dangerous, the braver. One would know much about their style oftentimes. If they are a local, they might have legendary status, people might know much about the tagger from the metadata derived from their tags, yet they might not even know the tagger's real identity. Murals Political Information Hip-Hop Mural Hip-Hop murals tell stories. Sometimes the story is that of the local neighborhood. The art will be done by someone who intimately knows the neighborhood's charac...

[If anyone is interested in this and wants to collaborate--get in touch with me please] This is kind of an outline of the paper I want to write on hip-hop. Please give me your advice about how I could make it better. I've noticed some striking similarities between hip-hop and our field--web 2.0 aspects and more. Take for instance one fundamental aspect of hip hop--REMIXABILITY--one takes what one deems is valuable, and creates something new. Mashups have been fundamental in hip hop since day one! http://en.wikipedia.org/wiki/Remix The fact that knowledge does not come from a vacuum, and pretty much EVERYONE who has contributed important knowledge to the world has had a teacher who's ideas the student REMIXED. Take Franz Brentano for instance--he taught both Edumund Husserl and Freud, while Freud went on to teach Jung, and Husserl went on to teach Heidegger. The students REMIX their teachers work. http://en.wikipedia.org/wiki/School_of_Brentano Tagging--hip hop tagging is pl...